Auteur Theory

The idea behind Auteur theory originated from French film critics in the 1940's and was then explored in further detail by American film critic Andrew Sarris. Critics invented the concept as a way of distinguishing French new wave filmmakers from studio system directors that were part of the Hollywood establishment.

Auteur theory is the idea that a director will leave distinct trade marks in each of his/her films which allow people to distinguish the director from only watching the movie. Clear examples of this are how Tarrentino is known for exaggerated violence and specific camera shots. Anyone who has seen Django Unchained would recognize many similarities to a film such as Inglorious Bastards. Auteur theory suggests that although everyone has important roles in a film, a director will always be distinct in his films in every way including things such as music which the director has very little to do with. It may take having seen multiple films by certain directors but it will always be possible to recognize certain traits. From JJ Abrahams and his famous action and lens flares to Tim Burton's cliche locations and peculiar outfits, the Auteur will always leave their own traits in their films.